Ah! l’ enfance, l’ herbe, la pluie, le lac sur les pierres, le clair de lune quand le clocher sonnait douze … Arthur Rimbaud [Une saison en enfer, 1873]
I observe: "Our sentimental friend the moon! Or possibly (fantastic, I confess) It may be Prester John's balloon Or an old battered lantern hung aloft To light poor travellers to their distress." She then: "How you digress!"
And I then: "Some one frames upon the keys That exquisite nocturne, with which we explain The night and moonshine; music which we seize To body forth our vacuity." She then: "Does this refer to me?" "Oh no, it is I who am inane."
"You, madam, are the eternal humorist, The eternal enemy of the absolute, Giving our vagrant moods the slightest twist! With your air indifferent and imperious At a stroke our mad poetics to confute—" And—"Are we then so serious?"
Ah! l’ enfance, l’ herbe, la pluie, le lac sur les pierres, le clair de lune quand le clocher sonnait douze …
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ReplyDeleteI observe: "Our sentimental friend the moon!
Or possibly (fantastic, I confess)
It may be Prester John's balloon
Or an old battered lantern hung aloft
To light poor travellers to their distress."
She then: "How you digress!"
And I then: "Some one frames upon the keys
That exquisite nocturne, with which we explain
The night and moonshine; music which we seize
To body forth our vacuity."
She then: "Does this refer to me?"
"Oh no, it is I who am inane."
"You, madam, are the eternal humorist,
The eternal enemy of the absolute,
Giving our vagrant moods the slightest twist!
With your air indifferent and imperious
At a stroke our mad poetics to confute—"
And—"Are we then so serious?"