Saturday, March 31, 2012

Chios massacre

Scène des massacres de Scio, Eugène Delacroix, Louvre, Paris

31 March 1822: The Chios massacre begins, lasting for the following four months

The Chios Massacre refers to the slaughter of tens of thousands of Greeks on the island of Chios by Ottoman troops during the Greek War of Independence in 1822.
In March 1822, as the Greek revolt gathered strength on the mainland, several hundred armed Greeks from the neighbouring island of Samos landed in Chios. They began the fight for independence from foreign rule and started attacking the Turks, who retreated to the citadel. Many islanders also decided to join the revolution. However, the vast majority of the population had by all accounts done nothing to provoke the massacre and had not joined other Greeks in their revolt against the Ottoman Empire.
Reinforcements in the form of a Turkish fleet under the Kapudan Pasha Nasuhzade Ali Pasha arrived on the island on 22 March. They quickly pillaged and looted the town. On 31 March, orders were given to burn down the town, and over the next four months, an estimated 40,000 Turkish troops arrived. In addition to setting fires, the troops were ordered to kill all infants under three years old, all males 12 years and older, and all females 40 and older, except those willing to convert to Islam.
Approximately 20,000 Chians were killed or starved to death and 23,000 were exiled or sold into slavery.
There was outrage when the events were reported in Europe. French painter Eugène Delacroix created a painting depicting the events that occurred; his painting was named Scene from the Massacres of Chios.

Tuesday, March 27, 2012

World of Escher


40 years without Escher (27 March 1972)

"I try in my prints to testify that we live in a beautiful and orderly world, not in a chaos without norms, even though that is how it sometimes appears. My subjects are also often playful: I cannot refrain from demonstrating the nonsensicalness of some of what we take to be irrefutable certainties. It is, for example, a pleasure to deliberately mix together objects of two and three dimensions, surface and spatial relationships, and to make fun of gravity."

Escher on Escher: exploring the infinite (1989), edited by J. W. Vermeulen and H. N. Abrams

Sunday, March 25, 2012

Ποιο 1821;



Ποιο '21; Σίγουρα όχι το '21 των "προοδευτικών" δυνάμεων ...
Υπήρξαν και κάποιοι που είχαν μάλλον διαφορετική άποψη για την τότε "φιλία των λαών".

Κάποιοι σαν τον Διάκο, τον Μακρυγιάννη, τον Παπαφλέσσα ... κάποιοι που άφησαν πίσω τους καριέρα (όχι απαραίτητα ακαδημαϊκή ...), αξιώματα και πλούτη και έδωσαν τελικά τη ζωή τους, όπως ο Υψηλάντης ... κάποιοι ανώνυμοι που τσακίστηκαν στον αγώνα και τους αποτέλειωσε η φωταδιστική εξουσία του νεολλαδικού κρατιδίου ... (ας μην ξεχνάμε ότι οι αγρότες της Θεσσαλίας με την απελευθέρωση από τον οθωμανικό ζυγό βρέθηκαν σε ακόμη χειρότερη μοίρα - χάρη στους εκσυγχρονιστές της εποχής ...)

Thursday, March 22, 2012

να γίνομαι

                                                                               Η Κλειώ και ο χαρταετός / © I.A. Daglis

νὰ γίνομαι ἄνεμος γιὰ τὸν χαρταετὸ καὶ χαρταετὸς γιὰ τὸν ἄνεμο, ἀκόμη καὶ ὅταν οὐρανὸς δὲν ὑπάρχει


Οδυσσέας Ελύτης [Ο μικρός Ναυτίλος, 1985]

Wednesday, March 21, 2012

Άνοιξη

Ανεμώνη / © I.A. Daglis

ότι ιδού ο χειμών παρήλθεν, ο υετός απήλθεν, επορεύθη εαυτώ,
τα άνθη ώφθη εν τη γη ...

επειδή, να, ο χειμώνας πέρασε, η βροχή διάβηκε, έφυγε·
τα λουλούδια φαίνονται στη γη ...

Άσμα Ασμάτων, β' 11-12

Ανεμώνη / © I.A. Daglis